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First edition. With 300 color plates and many in black & white. SIGNED by Fenn on half-title page. Insignificant and light damp stain to top edge of front free end-paper, otherwise fine condition in fine dust jacket.

Itneen: Tribal Dance Tribal Drums Helm - CD 628740699324

Ludwig - No. 1364-5 Atlas "Dance Model" Snare Drum Stand 1970sVintage, 1970s Ludwig "Dance Model" snare drum stand in great condition. We shined th...

This card is usually accompanied by a patch card however this is sold its own. That said, I have the patches available to go with this card as a MI...

Two-piece shell All the hardware other than the throw-off and butt plate have been swapped No extra holes Serious international customers please ...

Eight lugs Heavy two piece shells with welded edges Clips are all period correct, some of the rods are mismatched Welded calfskin head heater vent...

The rhythms and dances of Guinea, West Africa spring to life in this ground-breaking multimedia collection from award-winning author Kalani and noted world percussionist Ryan M. Camara! More than just a drumming book, this easy-to-use method immerses teachers and students in traditional West African music, dance and culture through a step-by-step curriculum that maintains cultural authenticity. The World Rhythms! Arts Program (WRAP) is a multiple-discipline curriculum that incorporates drumming, singing, dance, and culture. Rooted in traditional West African music and dance, WRAP helps develop essential arts and life skills through a holistic approach to music and movement education. A must for your classroom!

First edition. With 300 color plates and many in black & white. SIGNED by Fenn on half-title page. Insignificant and light damp stain to top edge of front free end-paper, otherwise fine condition in fine dust jacket.

Here you will find a celebration of drumming, singing, dancing--a celebration of living. In Earth Dance Drum, the authors describe timeless truths as they relate to the powerful dances of the Native American Powwow. Through tribal wisdom and dances, poetry and stories, you will strengthen you connection to Mother Earth and Spirit World. Illustrations, photos.

The cover is clean but may show some signs of wear. Some pages may have folding.

Few will dispute the profound influence that African American music and movement has had in American and world culture. Dancing Many Drums explores that influence through a groundbreaking collection of essays on African American dance history, theory, and practice. In so doing, it reevaluates "black" and "African American " as both racial and dance categories. Abundantly illustrated, the volume includes images of a wide variety of dance forms and performers, from ring shouts, vaudeville, and social dances to professional dance companies and Hollywood movie dancing.Bringing together issues of race, gender, politics, history, and dance, Dancing Many Drums ranges widely, including discussions of dance instruction songs, the blues aesthetic, and Katherine Dunham’s controversial ballet about lynching, Southland. In addition, there are two photo essays: the first on African dance in New York by noted dance photographer Mansa Mussa, and another on the 1934 "African opera," Kykunkor, or the Witch Woman.

Wake up the ceiling and let the light dance in traditional or modern settings! In modern minimalist style, hand-painted with chic champagne gold, this 3-Light Round Chandelier by UOLFIN complements a myriad of styles from the modern farmhouse and country lodge to classic mid-century and transitional cottage. Featuring a woven metal drum with fabric shade, this modern gold chandelier will offer soft lighting with its three Max 40-watt bulbs (not included). Whether you're outfitting a new house, want a modern theme living room, or you're searching for sassy ceiling light ideas to add to a dining room, bedroom, or foyer/entry, this 3-light gold drum chandelier is a versatile choice.

Circuit Tracks is an all-in-one studio with two synth tracks, two MIDI tracks and four drum tracks: everything you need to create and perform music. Designed for electronic and dance music producers, the agile groovebox lets you lose yourself in a hands-on production workflow. Let your creativity thrive with the acclaimed, hands-on sequencer, with which you can create 32-step patterns, chainable for up to 256 steps sequences per track. Go off-grid with microtiming, and keep your music evolving with probability and pattern mutate.Its colossal sound is provided by two refined polyphonic digital synth tracks. Load thousands of your own samples using the microSD card, and shape them to perfection across four drums tracks. Advanced FX lets you douse synths, drums, and incoming audio in lush reverb and delay, make your mix pump with sidechain, and punch with the master compressor.Circuit Tracks gives you total control of your setup, with two dedicated MIDI tracks capable of sending notes and CC automation. Its comprehensive connectivity enables you to connect Circuit Tracks to your studio, with full-size five-pin MIDI in, out, and thru, and analogue sync out. Analogue audio outputs let you listen through the stereo line out or with headphones. The built-in rechargeable battery allows you to make beats on the move.Create instinctively. Perform immediately.Circuit Tracks is an extraordinary standalone groovebox for the modern producer. With two refined polyphonic digital synth tracks, four drum tracks, creative FX and on-the-go capabilities, it's the perfect hands-on device for the agile music maker.Lose yourselfFast, intuitive and straightforward, Circuit Tracks' workflow lets you create instinctively, without hesitation. No complex menus or scrolling, just creativity accelerated. Build intricate synth parts and load your own samples with ease, effortlessly construct sequences, douse everything with FX and keep inspired - and make the music you want to make.Built for performersEngineered for immediacy and pure creative expression, Circuit Tracks is a performer's dream. Velocity-sensitive pads and tactile control with customisable patches bring you closer to your music for maximum enjoyment. Define your sound by going off-grid with microtiming, and keep evolving with probability and pattern mutate.Go where music takes youCircuit Tracks takes you places, whether in the studio, on stage or off the grid. Rugged, compact build and a rechargeable battery makes Circuit Tracks the perfect travel partner, so it's never too far away when inspiration hits.Studio powerhouseEqually at home alone or among other music machines, Circuit Tracks is a versatile team player. Full-size MIDI in, out, and thru, plus analogue sync out, complements other gear. Two MIDI sequencer tracks let you control and program your external equipment from drum machines to effects units. Audio inputs let you bring all your sounds into the Circuit Tracks...

2009 release, the triumphant fifth album from the band made up by Patricia de la Fuente and Jaime Cristobal. Drums, Sex and Dance sees Souvenir evolving from the most '80's-oriented aspects of 64 to a palette of sounds which are more punchy and contemporary. The guitars are grittier, the analog synthesizer sounds rawer, and the beats Trancier and more upbeat. The result is an exciting cocktail of New Rave and '00's Electro with Punk Rock energy, Dance Music spirit and twangy guitars. This leads

This elaborate and lavish double CD is brought to you by James Asher. Collaborating with multi percussionist virtuoso Sandeep Raval, Drum Travel presents a celebration of the worlds that connect to drums, and the amazing personal journeys these can accompany and enhance. Excellent music for dance and those who like to play along, the 140+ minutes music concludes with a half hour meditational track, ensuring a broad and complete experience.

Second album by Damian Wilson and Adam Wakeman. It also features guest musicians Andy Dunlop (Travis) on guitar, Ash Soan (Adele, Robbie Williams) on drums, Tony Woollard (Damian Wilson) on cello and Hayley Sanderson (Strictly Come Dancing) on backing vocals. Mixed and mastered by Gary Stevenson (ABC/Go West/Tony Hadley) and Mike Exeter (Judas Priest/Black Sabbath)

Coaxing the Spirits to Dance explores the relationship between social life and artistic expression since the nineteenth century in one of the most important art-producing regions of Papua New Guinea. It includes a stunning presentation of hand-carved and hand-painted ancestor boards, masks, drums, skull racks, and personal items. Each society on the Papuan Gulf had its own elaborate traditions of carved, painted, or decorated masks, boards, and hand drums that filled the men's longhouses for use in dances and performances. Today these art objects offer a glimpse into the varied cosmologies and ritual lives of these surprisingly diverse societies before they were changed significantly through their contact with the West.

In 1935, a nine-year-old boy's family held a forbidden Potlatch in faraway Kingcome Inlet. Watl'kina slipped from his bed to bear witness. In the Big House masked figures danced by firelight to the beat of the drum. And there, he saw a figure he knew. Aboriginal elder Alfred Scow and award-winning author Andrea Spalding collaborate to tell the story, to tell the secret of the dance.

In West Java, Indonesia, all it takes is a woman’s voice and a drum beat to make a man get up and dance. Every day, men there—be they students, pedicab drivers, civil servants, or businessmen—breach ordinary standards of decorum and succumb to the rhythm at village ceremonies, weddings, political rallies, and nightclubs. The music the men dance to varies from traditional gong ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. In Erotic Triangles, Henry Spiller draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities. Framing the three crucial elements of Sundanese dance—the female entertainer, the drumming, and men’s sense of freedom—as a triangle, Spiller connects them to a range of other theoretical perspectives, drawing on thinkers from Eve Kosofsky Sedgwick, Lévi-Strauss, and Freud to Euclid. By granting men permission to literally perform their masculinity, Spiller ultimately concludes, dance provides a crucial space for both reinforcing and resisting orthodox gender ideologies.

Catalogue for the exhibition. Paintings, photographs, sculpture, and archival objects -- some dating to the early 1600s -- are used to trace African American dance from its roots in west and central Africa through the 20th century. On view are masks, robes, drums and musical instruments from Africa, along with works by such artists as Richmond Barthe, Romare Bearden, John Biggers, Elizabeth Catlett, Archibald Motley, Sam Gilliam, and Howardena Pindell. Dancers featured include the Nicholas Brothers, Josephine Baker, Carmen de Lavallade, and Alvin Ailey.